FRANCOIS RABBATH NOUVELLE TECHNIQUE DE LA CONTREBASSE PDF

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En , rencontre de Frungois Rabbath et dela contre, basse: coup de fondre! Bach et Vivaldi, quill transcrit. N , 1" Suite en sol pour violoncelle de J. Lage Heft Lage Hef Au deplacement des doigts vers Vaigu doit correspondre unglissementdelarchetverslechevalet. Le coup darchet dont on dit quill fate le virtuose, est fonction de la souplesse darticulation du poignet, Le bras se contentera daccompagner et de prolonger les mouvements de ce dernier.

Until recently the double bass hes never been ia the litne: light, alvays having been restricted co an accompanying dle: composers, musicians and public have all become conditioned to regard this as the sole function of the instrument. However, the young player should rather begin his studies with higher aims-to become a soloist and to direct hiseffortsin that direction.

To give the reader a picture of this indispensably unified view of the bass, its fingerboard has been logically divided into six sections or divisions which simplifies the finding of notes. Gee photos No. This precise dividing-up makes for easy understanding of the geography of the finger- board and leads to greater assurance.

This gives confidence to the player and makes certain an assured approach lune tried to put forward some suggested fingerings bur the young player will quickly discover those which best suit his siple and allow him che grates fait. Thenote becomesanentity and one nolonger has to resort to fingering indications. However, from the outset when choosing the fingering for difficalt passages, one should endeavour to play a piece up to speed. A passage played slowly may well require a different fingering to that aeeded at normal speed.

Itison these that the real work mustbe done on perfecting the technique and interpretation. Playingatsight isa temptation which few instrumentalists can resist since they are convinced this will save time However, they should be dissuaded from doing this.

In this way, difficulties can be noted and understood better. Thence forward one should work on the music without the instrument. Mistakes and wrong notes should not interrupt an exercise Carey on and when the exercise is finished, go back to the very beginning and not just to the part where you came unstuck, A piece of music is an entity which must be seen as a whole.

To play a few difficult bars several times increases the possibility of stumbling in the same places when the whole work is being played To play the whole thing again is to locate the difficulty in itsmatural place, to see itin perspective and togive itits real value without overemphasising its importance Ic will sometimes occur that a passage cannot be master- ed, even after much work on it.

Stop playing. Before going to sep, when you ate quite relaxed, play the passage again in yout imagination as if you were a virtuoso.

In your imagina tion you can achieve almost anything. A good rest and the workings of your subconscious will complete the process and the next day the piece will seem easier to play.

Itis essential to adjust the spike correctly. See photos Nos. The instrument is now well positioned, leaving the arms completely free "With he instrument held at this angle, the fist postion fom G toB on the top string , isnotso high up.

Consequently the bow should be held by the stick in the last joints ofthe four slightly separated fingers and the endofthe bent thumb which will hold the bow at its balance point. Incline it towards you so that only small part of the hair touches the string.

The arm followsand continues the wrist movements. Soutenir le son sur chaque note. Suscain the sound on each note. Signo para retirar el arco: 9 Signo para colocar el arco: Ejercicios de cuerdas al aire. Exercises in the first position. First semitone. See photo No. Woungen der 1. Lage, 1. Siche Foros Nr-1, 2, 3 und Lage — 1, Stufe. Mal: ohne Bindung. Ist time: play without slurs. Ex, of bowings. Gamme et intervalle en la mineur.

Scale and intervals in A minor. Tonleiter und Intervalle in a-Moll. Escala e intervalo en la menor. Ast position — 1st semicone. Ad, Scricharten, golpes de arco. Jews go! Lage 2. Siehe Foto Ne Ver foro NP 3. Lage — 1. Siehe Fotos Nr. A Tempo 4 AL Voir photos 7 4, 5, 6 ct 20 Tonteiter in C Lund 2 Lage — 4. Die Srriche — uber den Noren Siche Poros Ae 5, 6 und AL Lage Ly 2 posiciones 1, 2,3, 4.

Lage 1, 2, 3, 4, und 5.

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