ALAIN DANIELOU WHILE THE GODS PLAY PDF

Subsequently, he performed professionally on stage with dancers like Floria Capsali and Marjorie Daw. He started writing poems, as acquired proficiency in English and other European languages. In , he was appointed as a research professor at the University, a post he held until During these years, he studied Indian classical music in Varanasi with Shivendranath Basu and played the veena , which he started playing professionally. He also studied Hindi , Sanskrit languages as well as Indian philosophy.

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Subsequently, he performed professionally on stage with dancers like Floria Capsali and Marjorie Daw. He started writing poems, as acquired proficiency in English and other European languages. In , he was appointed as a research professor at the University, a post he held until During these years, he studied Indian classical music in Varanasi with Shivendranath Basu and played the veena , which he started playing professionally.

He also studied Hindi , Sanskrit languages as well as Indian philosophy. His interest in the symbolism of Hindu architecture and sculpture, lead to long trips with Burnier to Khajuraho , Bhubaneswar and Konarak , sites in central India and Rajasthan.

In , he became a member of French Institute of Pondicherry , which works in the field of Indology. In , he became the founder and director of the International Institute for Comparative Music Studies and Documentation in West Berlin , where he remained till ; he also remained the director of the Istituto Internazionale di Musica Comparata in Venice from to But his more important contribution to Indology is his writings on the ancient wisdom of the Veda , Hindu philosophy , and Shaivism.

He received several awards for his work on music. He was also a photographer and artist.

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Alain DaniƩlou

This prediction is only a fragment of the vast knowledge of Shaiva wisdom, author Alain Danielou as assimilated and reviewed essential concepts of the Shaiva philosophy and its predictions. Clearly expressed in the ancient teachings, these concepts are in accord with, yet surpass, the boldest scientific speculations about consciousness, time, the nature of life and matter, and the history and destiny of the human race. Inherent in this body of knowledge is an understanding of the cycles of creation and destruction which, in conjunction with astronomical phases, determine the life span of the species. Since , humankind has been in the twilight of the Kali Yuga age, or at the end of a cycle. The impending cataclysm, Danielou explains, is brought on by our own errors, and its date will be determined by our present and future actions. While the Gods Play examines how the visionaries of ancient times defined our rose in creation. It explains why and how we have abandoned this role, and reflects on what action can be taken to consciously and creatively influence our own destiny.

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